{"title":"Art Institute of Chicago books","description":"\u003ch2\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eFind art books accompanying past, current and upcoming major exhibitions at\u003c\/span\u003e the Art Institute of Chicago\u003c\/h2\u003e","products":[{"product_id":"van-goghs-bedrooms","title":"Van Gogh's Bedrooms","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003e'compelling'\u003c\/em\u003e - Wall Street Journal\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eA fascinating look at the genesis and meaning of Van Gogh's famed paintings of his bedroom \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eVincent van Gogh's The Bedroom, a painting of his room in Arles, is arguably the most famous depiction of a bedroom in the history of art. The artist made three versions of the work, now in the collections of the Van Gogh Museum, the Art Institute of Chicago, and the Musee d'Orsay. This companion book to the Art Institute of Chicago's blockbuster 2016 exhibition is the first in-depth study of their making and their meaning to the artist. In Van Gogh's Bedrooms, an international team of art historians, scientists, and conservators investigates the psychological and emotional significance of the bedroom in Van Gogh's oeuvre, surveying dwellings as a motif that appears throughout his work.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eEssays address the context in which the bedroom was first conceived, the uniqueness of the subject, and the similarities and differences among the three works both on and below the painted surface. The publication reproduces more than 50 paintings, drawings, and illustrated letters by the artist, along with other objects that evoke his peripatetic life and relentless quest for 'home'.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eGloria Groom, David and Mary Winton Green Curator of Nineteenth-Century European Painting and Sculpture at the Art Institute of Chicago.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 166 pages | 274 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e March 2016\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDelivery\u003c\/strong\u003e: Allow 2-3 weeks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 978-0300214864\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e31\u003cspan style=\"line-height: 1.5;\"\u003e x 24.1 x 1.8 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003c\/h5\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":43119405772,"sku":"9780300214864","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/van-gogh-s-bedrooms-9780300214864-28912282402889.jpg?v=1647428983"},{"product_id":"aleksandr-zhitomirsky-photomontage-as-a-weapon-of-world-war-ii-and-the-cold-war","title":"Aleksandr Zhitomirsky : Photomontage as a Weapon of World War II and the Cold War","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cem\u003e'the work and its politics are as bold as can be'\u003c\/em\u003e - Chicago Tribute\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eThe first comprehensive study in English of the Soviet propaganda artist Aleksandr Zhitomirsky, who conceived and deployed his striking photomontages as a political weapon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe leading Russian propaganda artist Aleksandr Zhitomirsky (1907-1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirising American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favoured the grotesque and the eye-catching.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHis villainous menagerie included Reichsminister Joseph Goebbels as a distorted simian and an airborne scorpion outfitted with an Uncle Sam hat. In this comprehensive, image-driven account of Zhitomirsky's long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky's photomontages and translates excerpts from his one published book, The Art of Political Photomontage: Advice for the Artist (1983).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book is published on the occasion of an exhibition at the Art Institute of Chicago in 2016\/17 - \u003c\/span\u003ethe first museum exhibition in the post-Soviet world devoted to Zhitomirsky.\u003c\/p\u003e\n\u003ch5\u003e \u003cstrong\u003eDetails\u003c\/strong\u003e\n\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eErika Wolf, Associate Professor of history and art history at the University of Otago, New Zealand\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 368 pages\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e October 2016\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDelivery\u003c\/strong\u003e: Allow 1-2 weeks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 978-0300219180\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e30.5 \u003cspan style=\"line-height: 1.5;\"\u003ex 22.9 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":30640370700,"sku":"9780300219180","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/aleksandr-zhitomirsky-photomontage-as-a-weapon-of-world-war-ii-and-the-cold-war-9780300219180-28502032253001.jpg?v=1635268547"},{"product_id":"gauguin-artist-as-alchemist","title":"Gauguin : Artist as Alchemist","description":"\u003cp\u003e\u003cstrong\u003eA beautiful book about Gauguin's works in various media including clay \u0026amp; furniture \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePaul Gauguin (1848–1903) was a creative force above and beyond his legendary work as a painter. Surveying the full scope of his career-spanning experiments in different media and formats—clay, works on paper, wood, and paint, as well as furniture and decorative friezes—this volume delves into his enduring interest in craft and applied arts, reflecting on their significance to his creative process. Gauguin: Artist as Alchemist \u003cspan\u003edraws on extensive new research into the artist’s working methods, presenting him as a consummate craftsman—one whose transmutations of the ordinary yielded new and remarkable forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBeautifully designed and illustrated, this exhibition catalogue from the Art institute of Chicago includes essays by an international team of scholars who offer a rich analysis of Gauguin’s oeuvre beyond painting. By embracing other art forms, which offered fewer dominant models to guide his work, Gauguin freed himself from the burden of artistic precedent. In turn, these groundbreaking creative forays, especially in ceramics, gave new direction to his paintings. The authors’ insightful emphasis on craftsmanship deepens our understanding of Gauguin’s considerable achievements as a painter, draftsman, sculptor, ceramist, and printmaker within the history of modern art. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eGloria Groom \u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 336 pages\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e July 2017\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 978-0300217018\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e30.5\u003cspan style=\"line-height: 1.5;\"\u003e x 24.1 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago\/Galeries Nationales du Grand Palais, Paris","offers":[{"title":"Default Title","offer_id":152048861209,"sku":"9780300217018","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/art-institute-of-chicago-galeries-nationales-du-grand-palais-paris-gauguin-artist-as-alchemist-13474185871433.jpg?v=1579632673"},{"product_id":"van-dyck-rembrandt-and-the-portrait-print","title":"Van Dyck, Rembrandt, and the Portrait Print","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eA beautiful book providing an overview of Van Dyck's prints - an exhibition catalogue for a show at the Art Institute of Chicago.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eIn the last decade of his life, Anthony van Dyck (1599–1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the \u003c\/span\u003e\u003ci\u003eIconography\u003c\/i\u003e\u003cspan\u003e, he portrayed artists alongside kings, courtiers, and diplomats—a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eIn addition to illustrating approximately 60 works by Van Dyck and other artists from his era, this catalogue accompanying \u003ca href=\"http:\/\/www.artic.edu\/exhibition\/van-dyck-rembrandt-and-portrait-print\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ean exhibition at the Art Institute of Chicago\u003c\/a\u003e traces the artist’s influence over hundreds of years. Showcasing both 17th-century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries, including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine, the book demonstrates the indelible mark that Van Dyck left on the genre.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eVictoria Sancho Lobis, Prince Trust Associate Curator, Department of Prints and Drawings at the Art Institute of Chicago \u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 108 pages | 68 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e May 2016\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDelivery\u003c\/strong\u003e: Allow 1-2 weeks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 978-0300218824\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e26.9\u003cspan style=\"line-height: 1.5;\"\u003e x 23.5 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":1615697510425,"sku":"9780300218824","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/van-dyck-rembrandt-and-the-portrait-print-9780300218824-28494870609993.jpg?v=1634808286"},{"product_id":"georg-jensen-scandinavian-design-for-living","title":"Georg Jensen : Scandinavian Design for Living","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"productDescriptionWrapper\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eA handsome coffee table book about the Danish designer, Georg Jensen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis handsome book accompanies an exhibition of the same name at the \u003ca href=\"http:\/\/www.artic.edu\/exhibition\/georg-jensen-scandinavian-design-living\" target=\"_blank\"\u003eArt Institute of Chicago\u003c\/a\u003e. It focuses on Jensen silver tableware and products for the home – telling the story behind the creation of a global identity for Danish design and changing ideals for modern living across the twentieth century.\u003c\/p\u003e\n\u003cp\u003eIn 1904 Danish silversmith Georg Jensen (1866-1935) founded one of the world's most celebrated design companies. Famous for its signature silver tableware, Jensen's eponymous firm has stood at the forefront of domestic design for over a century by combining an innovative and experimental spirit with a commitment to traditional craftsmanship. Tracing the evolution of Georg Jensen silver from its place in the company's initial emergence through its continuing role as a touchstone for the global identity of Danish design, this book examines the creative processes and business practices behind Jensen's elegant bowls, pitchers, coffee services, and other domestic objects.\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eRichly illustrated with works ranging in style from organic to industrial, Georg Jensen is full of new insights gleaned from the company's own archives and situates Jensen's work in the broader context of 20th-century design. This unprecedented study includes scholarly essays by Alison Fisher, Maggie Taft, and Thomas C. Thulstrup that delve into the significant and continuing impact of Georg Jensen silver on modern domestic taste.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5\u003e \u003cstrong\u003eDetails\u003c\/strong\u003e\n\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eAlison Fisher, Harold and Margot Schiff Associate Curator of Architecture and Design at the Art Institute of Chicago\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 240 pages | 189 colour and 37 black and white illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e July 2018\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN: \u003c\/b\u003e978-0300232998\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e26.7 x 23.8\u003cspan style=\"line-height: 1.5;\"\u003e cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":12115368181833,"sku":"9780300232998","price":39.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/art-institute-of-chicago-georg-jensen-scandinavian-design-for-living-7478652272713.jpg?v=1568141565"},{"product_id":"tomma-abts","title":"Tomma Abts","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eA handsome hardback with good reproductions of Abts' paintings and substantial essays on her work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts's work within an art-historical framework of methods, process, and style, but also examine her paintings' philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eJames Rondeau, Eloise W. Martin Director of the Art Institute of Chicago\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 176 pages | 74 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e June 2018\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 978-0300233872\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e35.8 \u003cspan style=\"line-height: 1.5;\"\u003ex 25.7 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Serpentine Gallery\/Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":12142171160649,"sku":"9780300233872","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/serpentine-gallery-art-institute-of-chicago-tomma-abts-12832173424713.jpg?v=1579633970"},{"product_id":"richard-hawkins-third-mind","title":"Richard Hawkins : Third Mind","description":"\u003cp\u003e\u003cstrong\u003eAn important mid-career retrospective of the work of American artist Richard \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHawkins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in 1961 Richard Hawkins is making a crucial contribution to the contemporary art scene. Colour plates present approximately 80 of Hawkins's works, representing each stage of his career and including pieces never before published. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased in Los Angeles, Hawkins addresses numerous contemporary issues in his art, especially those related to gender and identity and their connections to classical antiquity. The authors of this cataloguem which accompanied  provide informative essays on aspects of Hawkinss work, the development of his vision, and his unique place in the contemporary art world.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eLisa Dorin\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 144 pages | 160 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e January 2011\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDelivery\u003c\/strong\u003e: Allow 1-2  weeks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 9978-0300166255\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions:\u003c\/b\u003e 30.8\u003cspan style=\"line-height: 1.5;\"\u003e x 23.6 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":31236434985033,"sku":"9780300166255","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/art-institute-of-chicago-richard-hawkins-third-mind-13584138862665.jpg?v=1580238109"},{"product_id":"ray-johnson-c-o","title":"Ray Johnson c\/o","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAn engaging and scholarly introduction to the wide-ranging work of a pioneering 20th-century artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eRay Johnson (1927-1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavour and founded a mail art network known as the New York Correspondence School. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eDrawing on the vast collection of Johnson's work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist's books, collages, drawings, mail art, and performance documentation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis indispensable resource on the artist's work contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eCaitlin Haskell\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003ePaperback:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 376 pages \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e April 2021\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDelivery\u003c\/strong\u003e: Allow 2-3 weeks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 978-0300254334\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e26.4 x 26.0\u003cb style=\"line-height: 1.5;\"\u003e \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003ecm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":39307950850121,"sku":"9780300254334","price":44.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/ray-johnson-c-o-9780300254334-29224807006281.jpg?v=1654012304"},{"product_id":"lygia-pape-tecelares","title":"Lygia Pape : Tecelares","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAn engaging investigation of contemporary Brazilian artist Lygia Pape's early body of woodblock prints, which profoundly influenced the trajectory of her oeuvre \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of Brazil's best-known contemporary artists, Lygia Pape (1927-2004) was a founding member of the Neo-Concrete movement in the late 1950s along with artists such as Lygia Clark and Helio Oiticica. Pape explored new visual languages in painting, performance, printmaking, and sculpture, and her work-much of it based in geometry-invited viewers to participate in the existential, sensorial, and psychological experience of her art. Presenting the first in-depth treatment of the experimental woodblock prints Pape made between 1952 and 1960, this volume examines the foundational role these works played in the rest of Pape's career, foreshadowing her philosophy of \"magnetized space.\" Composed of overlapping geometric and linear elements that at times suggest atomic particles or slides of microscopic specimens, Pape's prints display an extraordinary depth accentuated by her use of incredibly thin, translucent Japanese papers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe artist applied the title Tecelares to these works decades after their creation. Loosely translated as \"weavings,\" the term captures Pape's uniquely handmade approach to printmaking. Lavishly illustrated, this study is filled with revealing insights into how the artist's printmaking aesthetic, materials, and process embody her core ideas about art.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDistributed for the Art Institute of Chicago Exhibition Schedule:Art Institute of Chicago (February 11-June 5, 2023)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eMark Pascale, \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eJanet and Craig Duchossois Curator of Prints and Drawings at the Art Institute of Chicago.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 176 pages | 170 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e February 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e978-0300269734\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e27.1 x 24.0\u003cb style=\"line-height: 1.5;\"\u003e \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003ecm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":44492648218908,"sku":"9780300269734","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/products\/lygia-pape-tecelares-9780300269734-40404027048220.jpg?v=1676392063"},{"product_id":"canova-sketching-in-clay","title":"Canova: Sketching in Clay","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'This beautiful catalogue\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e combines up-to-date scholarship and scientific analysis, stunning photography by Luigi Spina (close-ups reveal Canova’s fingerprints) with an elegantly understated design that cleverly mimics the raw material in discussion'\u003c\/em\u003e - The Art Newspaper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eA landmark publication examining the clay models and creative process of the preeminent neoclassical sculptor Antonio Canova\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe most celebrated sculptor of the neoclassical age, Antonio Canova (1757-1822) established himself as the preeminent artist of his time with his funerary monuments and meticulously carved marbles on classical themes. Although his idealized and sensual sculptures are widely known, this is the first book devoted entirely to the brilliantly expressive clay models that he made in preparation for his marble sculptures. Only sixty-five of his terracotta models survive today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExtraordinarily modern in their boldness, the models retain the touch of the artist's hand and yield a revelatory glimpse into Canova's imaginative and technical process. Â  The authors, with expertise in art history and conservation, examine Canova's techniques for making terracotta models, including how he used clay to develop full-scale models that his assistants copied in marble, and his practice of gifting his models to friends. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDistributed for the National Gallery of Art, Washington \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Exhibition Schedule: National Gallery of Art, Washington, DC (June 11-October 9, 2023) Art Institute of Chicago (November 19, 2023- March 18, 2024) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eCD Dickerson III, \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003esenior curator of European and American art at the National Gallery of Art, Washington, DC and\u003c\/span\u003e Emerson Bowyer, \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSearle Curator of Painting and Sculpture of Europe at the Art Institute of Chicago.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 280 pages | 190 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e May 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e9780300269758\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e27.1 x 21.9\u003cspan style=\"line-height: 1.5;\"\u003e cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"National Gallery of Art\/Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":47619183903004,"sku":"9780300269758","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/canova-sketching-in-clay-9780300269758-43984896852252.jpg?v=1726294559"},{"product_id":"georgia-okeeffe-my-new-yorks","title":"Georgia O'Keeffe : \"My New Yorks\"","description":"\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA revelatory study of Georgia O’Keeffe’s New York paintings of the late 1920s and their deep significance within the artist’s development   \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cspan\u003eIn 1924 Georgia O’Keeffe (1887–1986) first moved to the Shelton Hotel in New York with her husband, the photographer and art dealer Alfred Stieglitz. The Shelton was Manhattan’s earliest residential skyscraper, and its dizzying heights inspired O’Keeffe to create a powerful series of approximately twenty-five paintings and numerous drawings over a span of about five years. She called these “my New Yorks,” and they overwhelmingly consist of two types of compositions: sprawling observations looking down onto the city and humbling views directed up at the newly built urban monoliths.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExploring the New York skyline, O’Keeffe resisted the approach of contemporaries such as Charles Sheeler and Paul Strand—who celebrated New York as a streamlined, impersonal series of geometric canyons—and instead portrayed it as an amalgamation of the organic and the inorganic, the natural and the constructed. Only in this way could she express New York (in her words) “as it is felt.”   Reshaping our understanding of this pivotal yet underappreciated period in O’Keeffe’s storied career, this publication situates the New York paintings within the artist’s larger oeuvre and examines how these works reflect narratives of built environments, racialized space, and the politics of place. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cspan\u003eDistributed for the Art Institute of Chicago   Exhibition Schedule:  The Art Institute of Chicago (June 2–September 22, 2024) High Museum, Atlanta (October 25, 2024–February 16, 2025) \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor\u003c\/strong\u003e: Sarah Kelly Oehler\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 216 pages | 168 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e June 2024\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e9780300275759\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 31.4 cm x 23.8 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":49357293551900,"sku":"9780300275759","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/georgia-o-keeffe-my-new-yorks-9780300275759-46369514979612.jpg?v=1726282646"},{"product_id":"christina-ramberg-a-retrospective","title":"Christina Ramberg : A Retrospective","description":"\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eA deep look at Christina Ramberg’s life and work, the origins of her influential investigations of form and femininity, and the evolution of her artistic vision  \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eChristina Ramberg (1946–1995) first gained renown for her acrylic-on-board paintings from the 1960s and 1970s that feature stylized fragments of female figures. Often associated with Chicago Imagism, Ramberg’s distinct linear approach was informed by a wide range of popular and art-historical sources, resulting in works that are both highly polished and grippingly enigmatic. The first comprehensive consideration of the artist since her death, this study considers the full scope of her practice—from her intimate early scrapbooks and drawings to her late-career geometric abstractions—and includes the first substantive discussion of her often-overlooked quiltmaking.\u003cbr\u003e\u003cbr\u003eEssays from both scholars and artists situate Ramberg within her Chicago-based network of colleagues and approach her work from a variety of perspectives, such as gender and sexual identity, the body and disability studies, artistic craft, canon formation, and pedagogical practice. Featuring never-before-published diaries, sketchbooks, slides, and ephemera, this lavishly illustrated volume provides an unprecedentedly full picture of Ramberg’s lifelong fascination with patterns and formal variation and her impact on the art of the twentieth century. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDistributed for The Art Institute of Chicago   Exhibition schedule:  The Art Institute of Chicago (April 20–August 11, 2024)   Hammer Museum, Los Angeles (October 6, 2024–January 5, 2025)   Philadelphia Museum of Art (February 8–June 1,\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e 2025)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDetails\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor\u003c\/strong\u003e: Thea Liberty Nichols\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 254 pages | 255 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e June 2024\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e9780300275742\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 28.6 cm x 21.8 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago\/Philadelphia Museum of Art","offers":[{"title":"Default Title","offer_id":49357658816796,"sku":"9780300275742","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/christina-ramberg-a-retrospective-9780300275742-46370077147420.jpg?v=1726282650"},{"product_id":"remedios-varo-science-fictions","title":"Remedios Varo : Science Fictions","description":"\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAn exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"productDescriptionWrapper\" style=\"text-align: left;\"\u003e\u003cspan\u003e This publication offers a definitive look at the artistic practice of Remedios Varo (1908–1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material findings establish the integral relationship between Varo’s layered interests—in alchemy, architecture, magic, mysticism, philosophy, and science—and her beguiling technical approach to art making.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEssays detail specific works’ complex stories and spectacular surfaces. An illustrated taxonomy of Varo’s artistic techniques, including automatic mark making as well as careful manipulation of materials and media, offers new insights into the artist’s craft. An illustrated inventory of a major portion of Varo’s library—published here for the first time—reveals the artist’s engagement with a wide range of subjects.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStunning new photography of many of her artworks are presented within a dynamic geometric design inspired by the artist’s work. Situating Varo as a woman working in midcentury Mexico City and living among a tight-knit community of local and émigré artists, poets, and thinkers, the catalogue illuminates the complex worldview that shaped her search for individual and collective transcendence.   Distributed for the Art Institute of Chicago, in partnership with the Museo de Arte Moderno, Mexico City  Exhibition Schedule:  Art Institute of Chicago (July 29, 2023–November 27, 2023)  \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuthor\u003c\/strong\u003e: Caitlin Haskell, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eGary C. and Frances Comer Curator in Modern and Contemporary Art at the Art Institute of Chicago\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 184 pages | 144 colour and 21 black and white illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e July 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e9780300275759\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: 30.8 cm x 21.8 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":49357699121436,"sku":"9780300273212","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/remedios-varo-science-fictions-9780300273212-46370160607516.jpg?v=1726265433"},{"product_id":"paula-modersohn-becker","title":"Paula Modersohn-Becker","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAn exhibition catalog exploring the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lives\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity. Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis monograph looks at the entire spectrum of her work-figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women-to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker's striking and relatively unknown drawings of men, women, and childrenfacing poverty, as well as her highly original figure paintings and nudes-including her unprecedented nude self-portraits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccompanying the first museum exhibition of Modersohn-Becker's work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJay A Clarke is the Rothman Family Curator of Prints and Drawings at the Art Institute of Chicago.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e 208 pages | 150 illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e June 2024\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9783791377346\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e29.6\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e x 24.6 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago\/Neue Galerie","offers":[{"title":"Default Title","offer_id":49836985975068,"sku":"9783791377346","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/paula-modersohn-becker-9783791377346-46943104631068.jpg?v=1726267872"},{"product_id":"radical-clay-contemporary-women-artists-from-japan","title":"Radical Clay : Contemporary Women Artists from Japan","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA diverse selection of contemporary ceramic work by Japanese women, featuring stunning pieces from virtuosic artists   \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince World War II, women artists from Japan have made influential contributions to ceramics that have been inadequately acknowledged. This catalogue focuses on thirty-six ceramists who have produced original and technically innovative pieces over the past fifty years while working outside the male-dominated, traditional Japanese studio practice and its countermovements. Both established and emerging artists with diverse styles are presented together to showcase their collective achievements and impact.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter embarking on their careers decades ago, Mishima Kimiyo (b. 1932), Tsuboi Asuka (b. 1932), and Ogawa Machiko (b.\u003c\/span\u003e\u003cspan\u003e1946) continue to produce groundbreaking sculpture that pushes the limits of the clay as a medium. Among the younger artists featured are Konno Tomoko (b. 1965) and Aoki Katsuyo (b. \u003c\/span\u003e\u003cspan\u003e1972), whose works explore themes ranging from bodily distortion to fantastical decoration. Many of these creators have resisted gendered expectations, whether by approaching traditionally “feminine” subjects like flowers in unconventional ways or by working in so-called masculine modes, including on large scales. All of the selected pieces are from the exemplary private collection of Carol and Jeffrey Horvitz, who have advocated strongly to bring these artists to global attention.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJo Earle\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e 128 pages | 90 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e November 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9780300273236\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003eProduct Dimensions:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 28.9 x 25.6\u003c\/span\u003e\u003cb style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003e \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\" data-mce-style=\"line-height: 1.5;\"\u003ecm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":51751269564794,"sku":"9780300273236","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/radical-clay-contemporary-women-artists-from-japan-9780300273236-71388406710650.jpg?v=1729285062"},{"product_id":"gustave-caillebotte-painting-men","title":"Gustave Caillebotte : Painting Men","description":"\u003cp\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003cem\u003e'Its inquiry into crises and reinventions of masculinity has a jolting relevance\u003c\/em\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e' - \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eNew York Times\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA beautifully illustrated catalogue exploring Caillebotte's paintings of men\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMore than any other French Impressionist, painter Gustave Caillebotte (1848-1894) observed and depicted the many men in his life, including his brothers and friends, employees, and the workers and bourgeois in his Parisian neighborhood. Male subjects feature prominently in some of his best-known works, such as The Floor Scrapers, Man at His Bath, Young Man at His Window, Boating Party, and Paris Street, Rainy Day. The originality of his paintings of men are fully explored for the first time in this catalogue, published to accompany a major international exhibition co-organized by the J. \u003c\/span\u003e\u003cspan\u003ePaul Getty Museum, Musee d'Orsay, and Art Institute of Chicago. A\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elongside paintings, drawings, and photographs, as well as an appendix featuring maps and new biographical research that sheds light on Caillebotte's social network, this volume includes historically grounded thematic essays by curators and leading scholars. By exploring the complex and varied facets of Caillebotte's identity-as son, brother, soldier, bachelor, amateur, sportsman, and so on-these essays pose questions of identity, leaving space for ambiguous and fluid expressions of gender and masculinity-for both Caillebotte and the larger late nineteenth-century French world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMusee d'Orsay October 8, 2024-January 19, 2025J. Paul Getty Museum Getty Center March 25-May 25, 2025 Art Institute of Chicago\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA New York Times Art Book of the year, 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor:\u003c\/b\u003e Davide Gasparotto, senior curator, Department of Paintings, J Paul Getty Museum\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 264 pages | 195 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e January 2025\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 9781606069448\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e29.0 x 25.3 \u003cspan style=\"line-height: 1.5;\"\u003e cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"J. Paul Getty Museum\/Musée D'Orsay","offers":[{"title":"Default Title","offer_id":54850062811514,"sku":"9781606069448","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/gustave-caillebotte-painting-men-9781606069448-1124687937.jpg?v=1738667920"},{"product_id":"paintings-at-the-art-institute-of-chicago-highlights-of-the-collection","title":"Paintings at the Art Institute of Chicago : Highlights of the Collection","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAn updated selection of key paintings at the Art Institute of Chicago, featuring works from around the globe and dating from ancient Egypt to the present day\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aU55cL25Htg?si=L1JP6-8s0PCJ-uPG\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eThe Art Institute of Chicago, one of the most beloved and important museums in the world, houses an extraordinary collection of objects from diverse places, cultures, and time periods. This beautiful catalogue opens the doors of the museum to readers, presenting an expansive selection of painted works from around the globe, introduced insightfully by James Rondeau, president and director of the Art Institute. New color photography accompanies entries written by a team of curators, art historians, and educators, which put the works into context.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book showcases a dazzling range of paintings, including an Egyptian funeral portrait, an ancient Mexican wall mural, Chinese scroll paintings, Japanese painted screens, and works by artists such as Caillebotte, Cassatt, El Greco, Gauguin, Homer, Hopper, Johns, Lichtenstein, Matisse, Mitsuoki, Monet, Morisot, Motley, O’Keeffe, Picasso, Pollock, Rembrandt, Richter, Rubens, Sargent, Seurat, Tiepolo, Turner, Van Gogh, Warhol, Whistler, and Wood; contemporary artists featured include Kerry James Marshall, Wanda Pimentel, and Kazuo Shiraga.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 200 pages | 183 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e June 2025\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9780300282054\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e31.2 x 23.7 \u003cspan style=\"line-height: 1.5;\"\u003e cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":55663557804410,"sku":"9780300282054","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/paintings-at-the-art-institute-of-chicago-highlights-of-the-collection-9780300282054-1180593362.jpg?v=1753099830"},{"product_id":"korean-national-treasures-2-000-years-of-art","title":"Korean National Treasures : 2,000 Years of Art","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAn epic journey through the world of Korean art, ranging from the first century BCE to the mid-twentieth century  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KN0p2fY_B3o?si=F6k61HBtNGx4r1Vl\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 150 artworks showcased in this elegant book represent the vast and varied traditions and the extraordinary range of media encompassed in the Korean art world. The objects—which include paintings, sculptures, ceramics, books, and scrolls—have, with one exception, never been published or exhibited outside Korea, and over twenty of them have been designated as National Treasures under the Korean Cultural Heritage Administration. Serving as a comprehensive introduction to Korean art, the book includes essays by renowned experts in the United States and in Korea that explore key subjects, from secular Joseon-period paintings to Buddhist art, ceramics, and modern painting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe featured works are all part of the diverse Lee Kun-Hee Collection, one of the largest and most impressive private art collections ever assembled in Korea, which was donated to the state in 2021 in order to share with the public the depth and diversity of Korean artistic traditions.   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDistributed for the Art Institute of Chicago  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExhibition schedule:  National Museum of Asian Art, Washington DC (November 8, 2025–February 1, 2026)  The Art Institute of Chicago (March 7–July 5, 2026)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003eYeonsoo Chee, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eassociate curator of Korean art at the Art Institute of Chicago\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 240 pages | 200 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e October 2025\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9780300284065\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e31.3 x 24.1 \u003cspan style=\"line-height: 1.5;\"\u003e cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":56122301809018,"sku":"9780300284065","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/korean-national-treasures-2-000-years-of-art-9780300284065-1201700463.jpg?v=1762178914"},{"product_id":"on-loss-and-absence-textiles-of-mourning-and-survival","title":"On Loss and Absence : Textiles of Mourning and Survival","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA journey through the rich histories of textiles that explores their significant cultural roles, from memorializing lost loved ones to resisting oppression  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/o6PMlnJJedM?si=bzOKTwQzsxhP2AoC\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom ancient Egyptian shrouds to medieval relics, textiles have played both functional and symbolic roles in rituals of death across time and place. Featuring funeral hangings, mourning samplers, garments, and many other textiles and fragments, along with works by contemporary textile artists such as Nick Cave (b. 1959) and Angela Hennessey (b. \u003c\/span\u003e\u003cspan\u003e1971), this book highlights how these objects help people negotiate experiences of loss, grief, healing, and survival.   With over seventy textiles dating from antiquity to today, On Loss and Absence brings together examples from cultures and traditions around the world. Close-up photographs provide an intimate look at the wealth of artistic and historical information embedded in their intricate details and painstaking techniques.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn four key sections—Death and Grief, Transition of Realms, Care and Healing, and Resistance and Survival—artists, conservators, educators, and scholars offer their in-depth perspectives on select objects and their context. Contemporary practitioners, including the Noqanchis collective of Andean weavers and Navajo weavers Lynda Teller Pete and Barbara Teller Ornelas, provide insight into the enduring legacies of Indigenous textile arts. A behind-the-scenes look at textile conservation examines preservation techniques in the larger thematic context of care and survival.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e Distributed for the Art Institute of Chicago  Exhibition Schedule:  Art Institute of Chicago (September 6, 2025–March 15, 2026)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIsaac Facio, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eassociate conservator in Conservation and Science at the Art Institute of Chicago\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 208 pages | 156 colour and 14 black and white illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e September 2025\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9780300284089\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e27.5 x 24.1 \u003cspan style=\"line-height: 1.5;\"\u003e cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":56122321043834,"sku":"9780300284089","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/on-loss-and-absence-textiles-of-mourning-and-survival-9780300284089-1201700462.jpg?v=1762178917"},{"product_id":"ellsworth-kelly-portrait-drawings","title":"Ellsworth Kelly : Portrait Drawings","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA presentation of largely unknown figurative drawings by a renowned pioneer of abstraction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing one hundred figurative works on paper by Ellsworth Kelly (1923–2015), this volume shows a new side of an artist best known for abstraction. These informal depictions of friends and expressive self-portraits—all rarely or never previously displayed or published—span the entirety of Kelly’s career, from the mid-1940s to the early 2000s. Throughout his life, Kelly made portraits as a means of keeping his hand adept at drawing, which provided a place to test his ideas, refine his bold use of lines, and interrogate the space between naturalism and abstraction.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese works also capture his social milieu, which intersected with other creative circles and the queer community. He painstakingly recorded how his own appearance changed over time, and once described some of these sketches by saying, “I use myself in order to draw.” The accompanying critical essays unpack the ways in which such intimate efforts were fundamental to Kelly’s practice and situate this important aspect of his work within the artist’s wider oeuvre. Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago(July 1–October 23, 2023)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExhibition schedule: San Francisco Museum of Modern Art (April 5–September 2, 2025)The Museum of Modern Art, New York (October 19, 2025–February 7, 2026) Guggenheim Museum Bilbao, Spain (March 20–September 13, 2026)Fondation Beyeler, Riehen\/Basel, Switzerland (October 18, 2026–January 24, 2027)\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong style=\"line-height: 1.4;\"\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eKevin Salatino, \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003echair and Anne Vogt Fuller and Marion Titus Searle Curator of Prints and Drawings at the Art Institute of Chicago.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 190 pages | 130 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e June 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9780300269741\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e26.2 x 21.2 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":56131921019258,"sku":"9780300269741","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/ellsworth-kelly-portrait-drawings-9780300269741-1202894785.jpg?v=1762286921"},{"product_id":"zurbaran","title":"Zurbaran","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA handsome book that celebrates the drama and power of Zubarán's  distinctive body of work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrancisco de Zurbarán is, alongside Diego Velázquez and Bartolomé Esteban Murillo, one of the three great painters of seventeenth-century Spain. His works are celebrated for their startling naturalism, directness, and deep emotional power. He spent most of his life in Seville, then one of the richest cities in Europe, whose maritime links to the Americas made it a hub of global trade.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough he painted mostly for the city’s vast number of religious orders, he also worked for private patrons and the King of Spain, producing altarpieces and painting cycles of staggering scale and ingenuity. An acute observer of reality, his still-life paintings and works for private devotion still appear strikingly vivid today.  Written by experts in the field and featuring exciting new discoveries, this beautifully illustrated publication will explore Zurbarán’s most important commissions, portraits and domestic scenes, offering a fresh appraisal of this singularly gifted artist.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by The National Gallery Group\/Distributed by Yale University Press Exhibition Schedule:The National Gallery, London (2 May–23 August 2026) Musée du Louvre, Paris (7 October 2026–25 January 2027) Art Institute of Chicago(28 February–20 June 2027)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthors: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003eD\u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan class=\"a-text-bold\"\u003eaniel Sobrino Ralston\u003c\/span\u003e is the CEEH Associate Curator of Spanish Paintings, \u003cspan class=\"a-text-bold\"\u003eImogen Tedbury\u003c\/span\u003e is Curator of Later Italian, Spanish and French Paintings (maternity cover), and \u003cspan class=\"a-text-bold\"\u003eFrancesca Whitlum-Cooper\u003c\/span\u003e is Curator of Later Italian, Spanish and French Paintings, all at the National Gallery, London. \u003cspan class=\"a-text-bold\"\u003eRebecca Long\u003c\/span\u003e is the Patrick G. and Shirley W. Ryan Curator in Painting and Sculpture of Europe at the Art Institute of Chicago.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 208 pages | 110 illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e June 2026\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9781857097399\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e27.9 x 24.1\u003cspan style=\"line-height: 1.5;\"\u003e cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The National Gallery\/Louvre\/Art Institute of Chicago","offers":[{"title":"Default Title","offer_id":56507154956666,"sku":"9781857097399","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/zurbaran-9781857097399-1217933250.jpg?v=1769170117"},{"product_id":"willem-de-kooning-drawing","title":"Willem de Kooning Drawing","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eA career-spanning look at Willem de Kooning’s singular drawing practice\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKnown for his dynamic blend of drawing and painting, Willem de Kooning (1904–1997) did not believe in a distinction between the two mediums. In a career spanning seven decades, he explored the interrelation between drawing and painting to express a variety of recurring genres, themes, and motifs. Focusing on de Kooning’s drawing practice, this publication emphasizes materials, process, and technique to uncover how the artist achieved his characteristic active line.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e Before moving to New York in the 1920s and joining his contemporaries, including Jackson Pollock, Franz Kline, and Robert Motherwell, in the “New York School” movement, de Kooning was rigorously trained in draftsmanship at the Academy of Visual Arts and Technical Sciences, Rotterdam, where he achieved mastery of traditional techniques at a young age. Willem de Kooning Drawing features nearly 250 works from the early 1920s to the 1980s, revealing the centrality of drawing to all aspects of his practice. Essays by eminent and emerging scholars and curators approach de Kooning’s work from a variety of perspectives—from examining his concept of “the glimpse” to reinterpreting his representations of women—demonstrating the artist’s enduring resonance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDistributed for the Art Institute of Chicago in association with the RijksmuseumExhibition Schedule: The Art Institute of Chicago(June 14–September 20, 2026) Rijksmuseum, Amsterdam(October 9, 2026–January 17, 2027)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong style=\"line-height: 1.4;\"\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003eKevin Salatino, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003echair and Anne Vogt Fuller and Marion Titus Searle Curator of Prints and Drawings at the Art Institute of Chicago.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eHardcover:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e 328 pages | 345 colour illustrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eDate published:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e June 2026\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eLanguage:\u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eISBN:\u003c\/b\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e9780300288544\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eProduct Dimensions: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003e29.1 x 22.7 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Art Institute of Chicago\/Rijksmuseum","offers":[{"title":"Default Title","offer_id":56966445760890,"sku":"9780300288544","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/8302\/files\/willem-de-kooning-drawing-9780300288544-1243961874.jpg?v=1781194089"},{"product_id":"highlights-of-the-art-institute-of-chicago","title":"Highlights of the Art Institute of Chicago","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA showcase of two hundred of the Art Institute of Chicago’s iconic works from around the world and across human time   \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom ancient Roman statuary and Chinese ceramics to medieval metalwork and contemporary paintings, Highlights of the Art Institute of Chicago presents two hundred of the museum’s signature works. Selected from a world-class collection of nearly 300,000 objects, this publication encompasses the full range of artistic media, spanning print, drawing, painting, sculpture, photography, video, and cultural objects. An illustrated timeline explores the Art Institute’s rich history, contextualizing its architecture and foundational collections within the city.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOffering an exciting variety of perspectives, texts by the museum’s curators and by artists, architects, and specialists inspire readers to make new and unexpected connections among some of the world’s best-known works of art, such as Edward Hopper’s Nighthawks, Grant Wood’s American Gothic, Georges Seurat’s Sunday on La Grande Jatte, and Katsushika Hokusai’s Great Wave. Readers will find answers to some of the Art Institute of Chicago’s most frequently asked questions about the Thorne Miniature Rooms, the many Stacks of Wheat painted by Claude Monet, and more. \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong style=\"line-height: 1.4;\"\u003eDetails\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"line-height: 1.5;\"\u003eAuthor: \u003c\/b\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJames Rondeau, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003epresident and Eloise W. 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