Andrew Wyeth : Looking out, Looking in
'understanded, inquisitive, and well written' - The New York Review of Books
This critically acclaimed and beautifully printed hardcover on American master artist Andrew Wyeth (1917-2009) is the companion book to a recent show at the National Gallery of Art, Washington, D.C.
One of Andrew Wyeth's most important paintings, "Wind from the Sea" (1947), is also the artist's first full realization of the window as a recurring subject in his art. Wyeth returned to windows during the course of the next 60 years, producing more than 300 remarkable works that explore both the formal and conceptual richness of the subject. Absent from these spare, elegant, almost abstract paintings is the narrative element inevitably associated with Wyeth's better-known figural compositions.
In its exclusive focus on paintings without human subjects, this catalogue offers a new approach to Wyeth's work and represents the first time that his non-figural works have been published as a group since the 1990s. The authors explore Wyeth's fascination with windows--their formal structure and metaphorical complexity. In essays that address links with the poetry of Robert Frost and the paintings of Edward Hopper, Charles Sheeler and other artistic peers, the authors consider Wyeth's statement that he was, in fact, an abstract painter.
- Authors: Nancy Anderson and Charles Brock
- Hardcover: 212 pages
- Date published: May 2014
- Language: English
- ISBN: 978-1938922190
- Product Dimensions: 28.0 x 25.5 cm
'The result of the carefully conceived installation, in which preparatory studies are grounded around more finished and often drastically simplified paintings, is an increasingly immersive experience, an aesthetic revelation rather than prurient one. The catalog essays, by National Gallery curators Nancy Anderson (on Wyeth's working process) and Charles Brock (comparing Wyeth's windows to two influences, Edward Hopper and the Pennsylvania precisionist Charles Sheeler), are understanded, inquisitive, and well written...' - New York Review of Books
'ANDREW WYETH: LOOKING OUT, LOOKING IN by Nancy Anderson and Charles Brock, assembles sixty splendidly reproduced Wyeth paintings and watercolors that employ windows as motifs. Favoring stripped-down winter landscapes and nearly empty interiors, Wyeth savored windows' ability to isolate nearly abstract forms outdoors or to transform an interior with a play of shadow-in fact, he declared himself an 'abstract painter.' But he employs light like a poet, particularly in the book's opening series of spreads, an overture of full-bleed details with metaphoric resonance, which announce Wyeth's visual themes: reflection, illumination, luminosity, shadows and patterns.' - Bookforum
'This intriguing catalogue is significant for the seriousness and depth of its insights (often lacking in Wyeth commentary). It includes beautiful color plates and a 60-item exhibition checklist. Summing Up: Recommended. Lower-level undergraduates and above; general readers' - Choice