Dorothea Lange : Politics of Seeing
"In form, as an oversized, matte paper volume, it is aesthetically pleasing. As a companion to an international exhibition the volume provides the essence of the curators’ vision. As a biography of Lange’s visual life, her aesthetics, and her activism, this book lives up to Lange’s own belief that “Beauty is a byproduct. It happens when the thing is done very, very well.’” This book is done very, very well.' - New York Journal of Books
Dorothea Lange's photograph, Migrant Mother, is one of the most recognizable images of the Dust Bowl era. Lange's career stretched far beyond the Great Depression, driven throughout by her compassionate advocacy for the people and land of California. This exhibition catalogue accompanying a show at the Barbican opens with Lange's Bay Area portraits of the 1920s and '30s when her photo studio formed a hub for San Francisco's bohemian and artistic elite.
It offers a generous overview of her work with the Farm Security Administration, where Lange was the only female photographer documenting the impact of the Depression and Dust Bowl on the west coast, working alongside the likes of Walker Evans, as well as her pictures of Japanese Americans forcibly displaced into internment camps following Pearl Harbor. It also includes images from her wartime shipyards series with Ansel Adams, postwar projects on the injustices of the American court system, loss of a community through the damming of the Putah Creek, and a photo series on Ireland. Accompanying these superbly reproduced images are thoughtful essays by curator Drew Johnson, critic Abigail Solomon-Godeau, and writer and curator David Campany, which offer appreciations of Lange's work as an artist and humanitarian, charting the legacy of her exceptional photographic oeuvre.
- Author: Alona Pardo
- Hardcover: 272 pages | 170 illustrations
- Date published: July 2018
- Language: English
- Delivery: Allow 1-2 weeks
- ISBN: 978-3791357768
- Product Dimensions: 28 x 24 cm